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A primer on Les Miserables

January 13, 2013 by Valerie Sutter, Director, The French Traveler Leave a Comment

Les MiserablesAlthough Victor Hugo’s 1862 novel is unparalleled in magnificent prose, intricate plot and character development, most of us will not bother to read his 1200+-page story. But now that this epic romance has gone from Broadway musical to Hollywood’s screen, here’s a primer on the plot, which doesn’t give justice to Hugo’s prose but may facilitate following the complicated story. For those of you who were busy writing love notes during your high school European history classes, you might want to brush up on the 1815 Battle of Waterloo and the French uprisings of the 19th century, especially that of 1832, to fully understand the historical backdrop of the novel.

In Les Miserables, Jean Valjean, the protagonist, has been jailed for 19 years for stealing a loaf of bread. When Valjean is released from prison, he foolishly steals silver from the bishop in Digne. When the bishop mercifully pretends to the police that the silver was a gift, thereby securing Valjean’s release, Valjean realizes that now his life must be dedicated to good.

Eager to fulfill his promise of virtue, he masks his identity and makes a new start in a village in the north of France. He changes his name to Madeleine, invents a manufacturing process which brings the town prosperity, eventually becomes mayor of the town and is beloved by the people. Along the way, he befriends Fantine, a single mother who has been arrested for prostitution and is dying. As a deathbed promise, he agrees to look after Fantine’s 10-yr-old daughter Cosette, who was living with a nasty, abusive couple called the Thénardiers. So begins the tender and tragic story of Valjean’s relationship with sweet little Cosette. He buys her from the Thénardiers and takes her to Paris as promised, to raise her and begin life anew, first in a monastery and then in the city.

The antagonist and Valjean’s tormentor is Javert, a single-minded, law-obsessed police chief of the village who sees justice only in narrow terms.  Javert has discovered Valjean’s criminal past and vows to hunt and punish him. The story progresses, and Cosette grows up. She falls in love with Marius, who is intimately involved with the uprisings against the government in 1832, but Valjean fears this union of his precious daughter and Marius.

Meanwhile, Javert moves to Paris and picks up the scent of his old adversary who is once again forced to flee Javert’s vengeance. Violence erupts just then in Paris as the revolutionaries set up barricades. Valjean attempts to rescue Marius from a terrible fate, but is thwarted. At the same time, Javert, hunting Valjean, is captured by the revolutionaries who want to execute him. Valjean offers to do the deed but in a show of kindness reminiscent of the bishop’s kindness to him, he secretly lets Javert go free, and then carries a wounded Marius through the Paris sewers to escape only to be caught once again by Javert.

Javert, tormented, is torn between his duty to his profession and the debt he owes Valjean for saving his life. Unable to reconcile his mixed emotions, Javert chooses to plunge into the River Seine in one of the most moving scenes of the novel/musical/movie.

Cosette and Marius are finally married, but the Thénardiers resurface and tell Marius the truth about Valjean’s past, hoping to ruin Cosette’s relationship with her father. Marius tries initially to separate Cosette from her adopted father upon learning this. Only when Marius discovers that it was Valjean who saved his life in the sewers during the rebellion does he rush to Valjean’s side, with Cosette, to bid adieu to Valjean on his deathbed. Reunited with his beloved Cosette and finally free from his nemesis Javert, Valjean dies in peace.

 

The online copy of Les Miserables.

Filed Under: French films/films about France

Master of French suspense: Henri Georges Clouzot

September 8, 2012 by Valerie Sutter, Director, The French Traveler Leave a Comment

If you like Hitchcock movies, you’ll love the French master of cinematic suspense, Henri Georges

Film director Henri Georges Clouzot

Cluzot

Clouzot. Born November 20, 1907 in Niort, France, Clouzot became interested in films from a young age. At the age of 18, Henri moved to Paris to pursue his studies as a writer; his talent and passion for writing led him to begin his career in cinema. From Paris he moved to Berlin where he translated German scripts to French in a studio in Berlin.

During the 1930s, Clouzot established his career as a screenwriter until he contracted tuberculosis, which halted his career for five years. During his stay in the sanatorium, Henri Georges developed his craft of showing the depth and complexity of movie characters, which would later catapult his cinematic career. In 1940, during World War II, Clouzot was desperate for money, and reluctantly accepted a job at Continental Films for screenwriting during the German Occupation; he would later début as a movie director.

At the overturn of the Vichy regime at the end of the war, the French charged Clouzot as a German collaborator and he was sentenced to a lifelong ban on film making. Due to the support of other well-known French film makers, Henri Georges’ sentence was reduced to a ban of merely two years, and in 1947, Clouzot’s career as a filmmaker took off. Some of his most well-known and award-winning suspense thrillers were: Quai des Orfèvres (1947), The Wages of Fear (1953), and Les Diaboliques (1955).Les Diaboliques by Henri Georges Cluzot

He made an extraordinary documentary of Pablo Picasso in the process of creating and painting called Le Mystère Picasso (1955), which has been classified a national treasure by the French government and was unique on several fronts. When Picasso is drawing in charcoal or pencil, Cluzot filmed in black and white, but when Picasso paints, Cluzot filmed in color. Even more intriguing, the painted glass works which Picasso created during the film were destroyed afterwards, in such a way that they exist only through the documentary.

Many of Cluzot’s films served as material for remakes; The Wages of Fear was remade in 1977 as Sorcerer by William Friedkin, and Les Diaboliques was remade as Diabolique in 1996 by Jeremiah S. Chechik.

Clouzot’s talent for suspenseful cinema was virtually unrivaled, and still continues to captivate audiences today. Robert Bloch, the author of the novel Psycho, (made into film by Hitchcock) stated in an interview that his all-time favorite horror film was Les Diaboliques.

Filed Under: French films/films about France

Films to use in the teaching of French culture

August 18, 2012 by Valerie Sutter, Director, The French Traveler Leave a Comment

Here are a few good, fairly recent French movies for teachers or anyone interested in contemporary French culture.

Teachers: if you haven’t already done so, show your students the award-winning movie The Class (rated PG13 so perhaps high school and above). This 2008 film, Entre les murs, is directed by Lauren Cantet and based on the semi-autobiographical novel written by middle school teacher François Bégaudeau. The fact that the teacher and many of his students star in the movie makes it especially compelling. The DVD includes an interesting Making-of Featurette as well as added commentaries which could also be used in class. Lesson plans are even available online! Go to the TV5Monde website athttp://www.tv5.org/TV5Site/publication/publi-119-Entre_les_murs.htm

Advanced French classes could read the book and compare and contrast it to the movie.

Two movies on the theme of the family are Potiche (Trophy Wife) and Un Air de famille (Family Resemblances). Potiche(2010), by François Ozon is a lighthearted comedy set in 1977 about a stay-at-home wife who ends up running her husband’s umbrella factory starring none other than Catherine Deneuve and Gerard Depardieu! Just see it for the joy of watching those two together (again!). Rated R for its bawdy humor, so may not be appropriate for students.

Un air de famille (1998) by Cédric Klapisch is a much darker portrayal of the French family with Jean-Pierre Darroussin and Catherine Frot (the latter providing some much needed comic relief). The movie focuses on the intense and sometimes troubling relationships which exist between family members and takes place entirely within the claustrophobic confines of a café. What’s fascinating is that by the end of the film you’ll immediately want to watch it again. You’ll see why! Unrated but may be R for language….and yelling.

Do these three films realistically depict modern day French life? A vous de décider!

Filed Under: French films/films about France

Southern France, seen through film

February 5, 2012 by Valerie Sutter, Director, The French Traveler Leave a Comment

Daniel Auteuil’s 2011 French movie La Fille du Puisatier (The Well Digger’s Daughter) is to Southern France what Dany Boon’s Bienvenue Chez les Ch’tis (Welcome to the Sticks) is to the North. A remake of Pagnol’s 1940 film of the same name, Auteuil’s film was voted one of the ten most popular movies in France of 2011.

Just as Dany Boon, who is from the north of France, provided us with a glimpse into the quirky culture of Northern France in his blockbuster film, Daniel Auteuil, who grew up in Avignon, offers us the gorgeous landscape of the rural South and shows us the values of honor and integrity of the proud people who live there, in this, his first effort at directing.

southern francePlaying the well digger of the movie’s title, Auteuil gives a remarkable performance as a fiercely stubborn widower of a family of six daughters. Although marketed as a love story between his eldest daughter and the son of a wealthy shopkeeper who is called off to war, the film cleverly interweaves the themes of the complex bond between a father and his daughter, social inequity and class distinction, family honor, and the devastating effects of war.

If watching Bienvenue Chez les Ch’tis made you want to visit Northern France (le nord), after seeing this touching story you will want to discover, or rediscover, the golden countryside of Provence, with its sing-song accents, magnificent weather, rolling hills and generous bounty. In the meantime, you can always revisit Auteuil’s magnificent interpretation of Ugolin in Claude Berri’s 1986 award-winning films, Jean de Florette and Manon des Sources, which also take place in hills of Provence. Le cercle est bouclé. We’ve come full circle.

French teachers : a useful link for activities to use in class around this film: http://www.lafilledupuisatier.com/LA-FILLE-DU-PUISATIER_Dossier-d-accompagnement.pdf

Filed Under: French films/films about France

Learning French: Le Petit Nicolas

October 8, 2011 by Valerie Sutter, Director, The French Traveler Leave a Comment

Le Petit Nicolas, for the young and young at heart

Whether you are learning French or teaching French, this delightful series portrays young Nicholas, a feisty young schoolboy from France who gives us a glimpse of French life in the 50s and 60s. With his group of quirky friends, Nicholas lands in all sorts of trouble – Dennis the Menace à la française.

  • Read the books, begun in 1959 by René Goscinny and Jean-Jacques Sempé which come in a series: Young Nicholas (Le petit Nicolas), Nicholas Again (Les récrés du petit Nicolas),Nicholas on Vacation (Les vacances du petit Nicolas),Nicholas and the Gang (Le petit Nicolas et les copains) andNicholas in Trouble (Le petit Nicolas a des ennuis). After the first one, you’ll be hooked!
  • Meet Nicolas’s friends: Alceste, his best friend; Clotaire, the class dunce; Rufus, the class trouble-maker; Eudes the class bully; and Agnan [Cuthbert in English], the teacher’s pet who you can’t punch in the nose because he wears glasses!
  • Watch the movie, Little Nicholas, by Laurent Tirard (2009), perfect for all ages, and just as hilarious as the books.
  • Enjoy the animated series (in French) by simply typing “Petit Nicolas” into YouTube and re-live many of Nicholas’ adventures as 12-minute cartoons. P.S. French teachers: Your students will love you!.
  • Download this 9-page learning pack in pdf format for ideas on using the film in class (pssst, profs de français!): http://www.ifecosse.org.uk/IMG/pdf/Le_Petit_Nicolas_learn

Filed Under: French films/films about France

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